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Spotlight on Mouth to Mouth by Antoine Wilson

Antoine Wilson

“Recently, while moving several piles of books (31 titles) from the floor to another place on the floor to make space for my office chair, I experienced a moment of clarity,” writes Antoine Wilson in an essay on Lit Hub which ran over the summer, “I felt like I had arrived at the end of a manic episode and was confronting the aftermath.”

Wilson had discovered tsundoku — the Japanese word for the habit of buying books and letting them pile up unread. The “piling up” is key — as every book lover with a teetering TBR stack knows. Tsundoku is a description, a philosophy, a lifestyle. Or, as Wilson regards it, “a get-out-of-jail-free card.”

Right now, booksellers are adding Wilson’s new novel to their own book piles. But Mouth to Mouth does not seem destined to tsundoku-existence in piles of unread books. “A compact tour-de-force,” “you won’t be able to put it down,” “absolutely deserves to be read in one sitting” — the story has been inviting comparisons to Patricia Highsmith at her most unsettling. Picking up the book is easy. Putting it back down may be much much harder. Leaving it unfinished once you start? All but impossible.

What booksellers are saying about Mouth to Mouth

About Antoine Wilson

Antoine Wilson is the author of the novels Panorama City and The Interloper. His work has appeared in The Paris Review, StoryQuarterly, Best New American Voices, and The Los Angeles Times, among other publications, and he is a contributing editor of A Public Space. A graduate of the Iowa Writers’ Workshop and recipient of a Carol Houck Smith Fiction Fellowship from the University of Wisconsin, he lives in Los Angeles.

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