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Spotlight On: The Tusks of Extinction by Ray Nayler

One of the simplistic popular misunderstandings [the science fiction] bad label has engendered is that “science fiction” authors are trying to predict the future. We fundamentally are not. We are predicating, not predicting, and that one little letter makes all the difference. We are asking detailed “what-if” questions and building the results of those questions out into narrative. Some of these “what-if” questions might have to do with science and/or technology—but others largely do not. One Philip K. Dick story I love, “Roog”, has a simple predication: garbage men are really aliens, and only dogs know this, which is why they bark at them all the time: they are trying to warn us. The story is hilarious, and horrifying. But it isn’t about science and really, neither is anything else Dick wrote. Yet somehow people call Philip K. Dick a science fiction writer, and don’t think twice about it.
― Ray Nayler, Interview with Eliot Pepper

What booksellers are saying about Tusks of Extinction

About Ray Nayler

Ray Nayler is the author of the critically acclaimed novel The Mountain in the Sea, which won the Locus Award for “Best First Novel,” and was a finalist for the Nebula Award and the Los Angeles Times “Ray Bradbury Prize.” Called “one of the up-and-coming masters of SF short fiction” by Locus, Nayler’s stories have been published in Asimov’s Science Fiction, Clarkesworld, Analog Science Fiction & Fact, The Magazine of Fantasy & Science Fiction, Lightspeed, Vice, and Nightmare, as well as in many “Best Of” anthologies. His stories have won the Clarkesworld Readers’ Poll and the Asimov’s Readers’ Award, and his novelette “Sarcophagus” was a finalist for the Theodore Sturgeon Award.

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