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Spotlight On: The Wood at Midwinter by Susanna Clarke

Unsurprisingly, when I look back at my childhood the books that dominated are the Narnia books. It just was a world in which I felt completely at home. I think it wasn’t that I realized fantasy literature did something different perhaps from other literature I just felt more at home in Narnia and in other similar books perhaps historical books in some way that wasn’t the modern world. It just it made more sense to me. Then in in my teenage years I read Ursula LeGuin’s EarthSea series despite that being in in many ways a sort of archetypal fantasy with Wizards and Dragons it was it was so real and it gave me something which I was missing in my actual life…books like EarthSea sort of made a place for my emotion and made a place for my dreams and my intellect. I was at home there. I look to the to not so much to the architecture but to the landscape of some of those islands that make up EarthSea. I know that place. I feel I have walked there um I know it better than I know most places in the real world.

I feel that fantasy literature ― good fantasy literature ― gives meaning to the reader, the reader finds a world which is meaningful when so much of the world that we actually live in we feel, probably wrongly, but we feel is meaningless.
–Susanna Clarke, in conversation with Alan Moore, British Library

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About Susanna Clarke

Susanna Clarke is the author of Piranesi, which won the Women’s Prize for Fiction, the Hugo Award–winning Jonathan Strange & Mr Norrell, and The Ladies of Grace Adieu and Other Stories. She lives in England.

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