Scandal of the Summer by Alexandra Vasti
This was good, but I was sort of expecting more. I love a good Regency romance, especially with a pirate, but the pacing felt a little bit off for me. At the beginning of the characters were very wary of each other, and then all of a sudden they were very loving towards each other, which, if this is a slow burn, then that shouldn’t be happening, but unfortunately it did. That being said, I did love the way Archer defended Ruby with all of his heart and wanted to make sure she was safe the whole time. Now that is a man! The absolute yearning this man had for her kept me on my toes. I absolutely love that man. Also, the way I could so relate to Ruby and how she doesn’t feel seen and feels a little bit odd, especially with social ton. Trust girl, I get it. But when she loves deeply and loves so fiercely, you can clearly tell that she means it. And I love the way she was able to defend Archer and herself as the story moves along.
Scandal of the Summer by Alexandra Vasti, (List Price: $19, St. Martin’s Griffin, 9781250414250, June 2026)
Reviewed by Itzy, M. Judson Booksellers in Greenville, South Carolina
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“I’ve always really been fascinated in maps and the idea of mapping and the impulse to map. I think it is a real human instinct to do it. It actually – as humans, it predates our ability to write. You know, the first known map in the world is an Iron Age map on the walls of a cave in what’s now the Italian Alps in a place called Bedolina. And somebody at some point was filled with the urge to draw, to scratch into the rock this exquisite rendering of their home – their fields and huts and their sort of town, I suppose you would call it. And it’s just such an interesting representation of the urge to say, this is who I am. This is where I am. But of course, you fast-forward a – say, a thousand years or so and you get to the Roman Empire. And from that point on, it’s impossible to disentangle the urge to map from the urge to possess, the – from colonialism.” 
I hope I don’t give too much away, but I was quite inspired by Witness, with Harrison Ford amongst the Amish. I was really interested in this idea of a gangster amongst peacemakers, which is really what Witness is. I find that really fascinating. I became interested in Celtic Christianity because it was very revolutionary at the time in ways that we slightly forget. This was a world of utter warlordism, a very, very violent world and it was pagan. All of that was predicated on the idea that it was good to be strong and kill people. If gods were with you, that’s what would happen. If gods weren’t with you, you’d be weak. The idea of a religion that was founded on the idea that you might want to be weak, or you might want to be humble, was completely insane to these people. I mean, they looked at it and just went, “You’re mad! What are you talking about?”
“When I learned about the Lebensborn, many years ago, I had a hard time believing this could be true. When I was able to confirm it, I was deeply appalled and knew I had to write about it. And I felt a book about this subject could only be for adults…the strong feelings I had about the Lebensborn never left me. Even back then, I felt girls should know about this terrible aspect of that war…It wasn’t until I learned, later, that children as young as 11 were working as couriers for the Resistance that the first seed for The Lions’ Run was planted. I began to wonder if those 11-year-olds were aware of how courageous they were. I think a lot about courage in kids; they are often confused about what it means to be brave.”
