I moved from Gwangju to Seoul in January 1980, at the age of nine with my family. It was just four months before the Gwanju uprising/massacre occurred. After a few years, there were photo books which were printed and circulated secretly to bear witness. I found one of the photo books on the bookshelf of my father, and it became sort of a defining experience in my life. If I were not that young, I would have been more aware of the political aspect. But I was just 12. The photo book contained numerous dead faces with deep wounds and after reaching the end of the photo book, I thought to myself, ‘Humans are scary’. I couldn’t find a way to accept that I am one of these ‘humans’.
However, there were also examples of human dignity and inexplicable strength in the photo book. For example, I saw the endless lines of ordinary people who wanted to donate blood for the wounded right after the mass shooting by the Martial Law army. It was like two unsolvable questions were imprinted on my mind:
How can humans be so violent?
What can humans do something to fight against that extreme violence?
― Han Kang, Interview, Banana Writers
What booksellers are saying about We Do Not Part
- Devastating, gorgeously written and translated. I will be thinking about this book, about Kyungha and Inseon, the snow and the trees, the birds Ama and Ami, and the generations of spirits brought to life in these painful, breathtaking pages. Reading Han Kang’s work feels like a precious honor, and in the incredible wake of her Nobel win, We Do Not Part is an astounding introduction for many new readers.
― Emily Tarr, Thank You Books in Birmingham, Alabama | BUY
- A story of friendship/loyalty/loss/war. A dream-like supernatural journey. The reader often wonders what is real and what is not. It is a horrific read (set amidst the genocide on the island of Jeju, Korea in 1948). I found there was almost too much to digest/make sense of while reading this book. But the writing is immersive and beautiful (which powered me through the pages).
― Sarah Goldstein, Old Town Books in Alexandria, Virginia | BUY
- Wow. Nobel laureate Han Kang’s latest work is just brilliant – a profound meditation on friendship and the impact of buried trauma. Kyungha – a writer, troubled by recurring nightmares following her most recent book about a historical massacre – is called on by her friend Inseon to go to her house to look after her pet bird while Inseon is in hospital. While there Kyungha discovers how intimately connected her friend’s family was to the massacre she’d written about. Blurring dream with reality – at once haunting and terrifyingly specific – We Do Not Part proves Han Kang’s Nobel win to be justly deserved.
― Jude Burke-Lewis, Square Books in Oxford, Mississippi | BUY
About Han Kang
Han Kang was born in 1970 in South Korea. She is the author of The Vegetarian, winner of the International Booker Prize, Human Acts, The White Book, and Greek Lessons. In 2024 she was awarded the Nobel Prize for Literature. e. yaewon is based in Korea and translates from and into Korean, including titles by Hwang Jungeun, Jessica Au, and Maggie Nelson. Paige Aniyah Morris divides her time between the United States and Korea. Recent translations include works by Pak Kyongni, Ji-min Lee, and Chang Kang-myoung.
When I first conceived of these stories, around 2016, a lot of trans writing was very sure that it had to be a specific thing: In order to capture the trans experience, we have to invent a totally new narrative for this wild and different style of life that has strange punctuation and asterisks and parentheses in it! And I was very resistant to this because I was like, I actually think that trans lives are built out of the exact same things that any other life is built out of. The emotions that are operative for a trans person are the exact same emotions that are operative for anybody else. It may be arranged slightly differently or with slightly different balances, but 99 percent of them are all the same. And so, there was a way in which I was like, You know what? I’m going to just write trans stories to show that you don’t need to invent some othering form to explain a trans life. You can explain a trans life in a teen romance. Then, I just started finding them fun. 
