Book Buzz: The Beheading Game by Rebecca Lehmann
“Why was Anne Boleyn executed? This was a question I asked myself when writing The Beheading Game, in which Anne Boleyn wakes up after her own execution, escapes from her grave in the Tower of London, sews her head back on, and goes on a revenge quest to kill Henry VIII before he can marry his next wife, Jane Seymour. Legally, the answer is she was executed because she was convicted of the crimes of treason, adultery and incest, but most historians today agree those charges were probably false. So, how did Anne go from being a queen consort, steps from the seat of English power, to climbing the steps to the scaffold in a matter of months? Sometimes the simplest explanation is the most likely, and, although I came to many answers to this question during my research, all of them circled around one central theme: misogyny.”
― Rebecca Lehmann, Interview, Crime Reads
What booksellers are saying about The Beheading Game
- What would happen if Anne Boleyn was able to reattach her head after her execution and seek revenge on Henry VIII? This historical reimagining is part fantasy, part fiction, and pure feminine rage. A beautiful story about one of history’s most famous women and how she gets to rewrite her story. Will be recommending to this lots of customers as a great book club pick.
― Claire, River & Hill Books in Rome, Georgia | BUY
- Absolutely loved this fantastical retelling of the death, and apparent continued life of Anne Boleyn. We meet Anne when she wakes up in a dark place…after her execution, and nobody could be more surprised than she is with this odd turn of events. She quickly flees the tower and sews her head back on and off we go on an adventure through Tutor England, full of Fairy Tales, magical friendships, and revenge.
― Jessica, E. Shaver, Booksellers, Savannah , Georgia | BUY
- More alternate histories avenging wronged women (and women’s wrongs!) please! Take this delightful tour into Tudor England along with Anne Boleyn, the recently beheaded then mysteriously resurrected Queen, as she takes on a revenge campaign against Henry VIII to secure her daughter Elizabeth’s ascdendancy to the throne. Brilliantly researched and thrillingly paced, this is Boelyn novel we didn’t know we needed.
― Amanda, Tombolo Books, St. Petersburg , Florida | BUY
- An ingenious historical retelling of the execution of Anne Boleyn that seamlessly blends horror with the fantastical. Armed with a needle, thread, and a head freshly sewn back on, the reader is treated to a feminist Medieval reckoning of epic proportions. Smart insights, lovely prose, a fairytale-like plot, and sweet, sweet revenge make this novel something you do not want to miss.
― Joshua Lambie, The Underground Bookshop, Carrollton, Georgia | BUY
About Rebecca Lehmann
Rebecca Lehmann is an award-winning poet and essayist. She has an MFA in poetry from the Iowa Writers’ Workshop, where she was a Maytag Fellow. She is the author of three collections of poetry: Between the Crackups; Ringer, winner of the AWP Donald Hall Prize (selected by Ross Gay); and The Sweating Sickness. Her writing has appeared in American Poetry Review, The Kenyon Review, NPR’s The Slowdown, and the Academy of American Poets’ Poem-a-Day. She lives in Indiana with her family, where she is an associate professor of English and Gender and Women’s Studies at Saint Mary’s College..
Book Buzz: The Beheading Game by Rebecca Lehmann Read More »




“When we think of environmental disaster or climate change, we often think of catastrophic events—the Californian or Australian wildfires, deadly floods in Bangladesh or Pakistan, a destructive typhoon or hurricane. When events like those becomes the point of focus, we stop thinking about other kinds of destruction and degradation. I wanted to find a way to reveal what Rob Nixon called slow violence. I didn’t want the major catastrophes to entirely dominate the novel; I wanted to bring slower instances of change to the foreground.”
“I am endlessly fascinated by sexuality—it’s almost embarrassing how much it shows in my published works. Similarly, I’m always exploring grief and the loss of innocence. Writing 200 Monas felt like a fun way to explore both simultaneously. The intersection between grief and sex somehow reminded me of being young, when the death of my father coincided with my spring awakening; I was always seeking refuge in romantic relationships, sexy films, and perverted conversations with my friends. I wanted to write something that captured that dichotomy in some way, this idea of being sad and horny at the same time.”


“There are only so many stories out there—people say seven—but for me, the question is always: what is the question I want to ask?…In Kin, the question I was interested in interrogating is the idea of searching for one’s mother. The classic story tells us, of course you search for your mother. If someone says, I don’t know where my mother is, we frame it as a brave quest to find her. But I wanted to question that impulse. Is it always better to know? Is it okay not to know? Can we learn to be satisfied with not knowing? In real life, people can be satisfied with what they have. In real life, you can marry someone who isn’t the person you once dreamed of and still have a good life. In a story, that’s often treated as an unpardonable compromise. I’m trying to bring into story life the wisdom we already know from real life.”




