The Speaker by Traci Chee
I’ve said it before and I’ll say it again: The Reader was 2016’s most underrated fantasy title. With vivid world-building, swashbuckling adventure, a softly built romance, and a brilliant heroine, The Reader should have been on every single “Top Books of 2016” list. With The Speaker, Traci Chee builds on her world and crafts a sequel that is enchanting and complex. Driving the story forward is Sefia and Archer’s need for revenge, a task that sends them down a dangerous road. Anger/rage, depression, anxiety, and PTSD are explored and woven into the story beautifully, and with a diverse cast of new characters, Chee’s book answers the call for diverse fantasy.
The Speaker by Traci Chee, (List Price: $10.99, Speak, 9780147518064, June 2018)
Reviewed by Shauna Sinyard, Park Road Books in Charlotte, North Carolina
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I don’t know it there’s an inspiration per se other than “I like dragons, and I like lady knights, I want to write a book about those things.” And so I did. “Brighter Than Scale” tells the story of Yeva, a dragon hunter with special abilities who was absorbed into empire against her will as a child and, as an adult, is sent as an ambassador to a nation that worships dragons as part of her emperor’s territorial aggressions. There she meets the girl-king Sookhee, the charismatic leader of the nation. But their growing relationship is threatened when Yeva uncovers secrets that will challenge the way she sees the world, and herself. The book may appear to be a queer love story, and it is indeed a queer love story, but at its core I think it’s about identity, it’s about finding your place and finding yourself in a world which constantly wants to erase you.
I like my stories to be immersive. I am a visual person when writing and reading. So to me, it’s all part of the characterization: the way that they wear clothes, what the clothes look like, what they look like. I also want it to be a lived-in world. So let’s talk about getting dirty. Let’s talk about taking baths. Let’s think about chapped lips. When I watch particularly fantasy content, I almost look for these things because it is a layer of grittiness that I like, a texture in a story, that I feel is real. The Knight and the Moth was really fun, like gossamer versus armor. You can look into themes of these things too and apply them to the story, or you can decide to read them very literally.
I guess a lot of the fantasy I read as a kid was very much in the shadow of Tolkien, and in Lord of the Rings there is an objective right and wrong. You either give in to Sauron or you fight him, and the text leaves no doubt which is good and which evil. Not that I ever lost interest in Gandalf and Aragorn but as the years went on I started to find Saruman and Boromir more interesting. People who fall from grace, or rise to it. Characters in flux, in turmoil, weighing greater good against personal good, with mixed motives, with uncertain outcomes. People who surprise the reader. In our world, everyone thinks they’re in the right. Battles aren’t of good against evil, but one man’s good against another’s.
